weather reports, not postcards
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Temps de lecture 1 min
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Temps de lecture 1 min
They’re shot in camera with slow focus and movement so the coastline, buildings and roads fall away and the colour and atmosphere stay.
I’m not trying to prove I was there; I’m trying to pin the feeling of a place when the light goes strange for a few seconds and then is gone.
They’re shot in camera with slow focus and movement so the coastline, buildings and roads fall away and the colour and atmosphere stay.
These photographs sit closer to weather reports than postcards. They’re shot in camera with slow focus and movement so the coastline, buildings and roads fall away and the colour and atmosphere stay. I’m not trying to prove I was there; I’m trying to pin the feeling of a place when the light goes strange for a few seconds and then is gone.
Most of these were made on the west coast of Ireland and along the edges of cities while I was meant to be photographing something more literal; the series shown here, Talamh, runs the road between Killarney and Kenmare, around Moll’s Gap, where the weather can change three times in a minute. They’re printed as pigment prints on heavy watercolour paper so the surface has a slight tooth to it, more like a small painting than a flat poster.
I lived for twenty years as a documentary photographer and even then I was always pointing the camera toward the sky or the sea when I could get away with it.
These works are available in a range of sizes as archival pigment prints on heavyweight watercolour paper.
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